Hands- On with Lippan

In the month of February we conducted a workshop ‘Hands- On with Lippan’ with Gani Mara an award winning traditional Lippan artisan from Bhuj in Pune over a 3 Day workshop across 4 locations in Pune – Art2day, Adipa, Monalisa Kalagram and Doodle Tales Studios.

Lippan kaam is executed on the walls of houses known as ‘bhungas’ using animal dung, clay, chalk powder and mirrors by many communities in the Kutch region. The mirrors are believed to ward off evil and are therefore found as an integral part of their walls. It is also said that the Mughals migrated several of these artisans from the Sindh province to the Kutch region. Eye-catching geometric patterns are hence a prominent feature of this art form as influenced by the Islamic art. Over the years the artisans have adopted several other motifs which include trees, animals, birds, humans and florals.

Gani Mara

Gani Mara
Born in a family where his forefathers were Kumbhars, Gani Mara has mastered the art in many forms since childhood. He has won several state and regional awards.

Hands On with Lippan

Day 1
In the day one Gani Mara introduced us the rich culture of Lippan Kaam. He demonstrated the walls of how it was done in the olden days using the mixture of ghode ki led (horse dung) & sini / chikni mitti (clay).

Hands On with Lippan

Participants tried their hands in making the dough with contemporary materials like Chalk powder, lakdi ka bhussa ( saw dust), fevicol and gum.

Hands On with Lippan

Participants got the hang of rolling the clay and making coils and technique of pressing it to the desired shape.

Hands On with Lippan

Every Participant created a composition on a 12” x 12” board.

Hands On with Lippan

Day 2
Participants received DIY corner table kit which had 14” x 14” wooden base. Interesting mix of traditional and contemporary compositions were created by participants.

Hands On with Lippan

A twist was added to the artwork with POP surface textures.

Hands On with Lippan

Day 3
The distinct feature of Lippan kaam is mirrors. Cotes of white paints were given to the dried Lippan surface. Then different size and shape mirrors were added to enhance the beauty.

The final task was to assemble the corner table and Voila! These were the results!

Workshop Photos

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